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Видео-обложка

@image_1 = environment reference. @image_2 = lead character identity reference. @image_3 = left hanging wearable item reference. @image_4 = center interactive wearable item reference. @image_5 = right hanging wearable item reference. Generate a 12-second vertical cinematic fashion film, 9:16. Use @image_1 for the environment, atmosphere, lighting, depth, and visual mood. Whatever the location is, always integrate one clearly visible clothesline horizontally across the scene in a believable way. Place exactly three wearable or style-related items on the clothesline: @image_3 on the left, @image_4 in the center, and @image_5 on the right. Each item is attached with exactly two visible wooden clothespins. Use @image_2 for the lead character identity only. Preserve the exact face, body proportions, hairstyle, accessories, glasses if present, tattoos if present, and overall identity throughout the entire clip. The character never looks directly into the camera. Preserve @image_3, @image_4, and @image_5 as recognizable wearable or style-related items with their reference design, color, silhouette, and material. @image_4 is always the main interactive item and always hangs in the center. The center item must always hang front-facing toward the camera, never with the back side facing camera. If @image_4 is a jacket, shirt, hoodie, coat, or another upper-body garment with an opening or closure, it must hang open, unfastened, and clearly spread in a readable front-facing way, even if the reference image shows it closed. The character later puts on @image_4 and, if appropriate, fastens or adjusts it naturally. The pacing is calm, readable, and unhurried. The character behaves like a real actor living in the scene, with subtle personality, gentle rhythm, believable pauses, natural body flow, and clear under-the-breath humming, muttering, or soft melodic mumbling from the very beginning of the clip through the end. 0.0–1.4: establish the scene in a stable wide full-body composition. Show the environment, the full clothesline, and all three items clearly. Natural ambient movement is present in the environment. 1.4–3.0: the character enters calmly from the side and approaches from behind the clothesline toward @image_4. The movement is relaxed, slightly rhythmic, and natural. The character is already softly and audibly humming or murmuring under the breath. No eye contact with camera. 3.0–4.8: the character clearly stops at the clothesline and takes a brief natural pause. The character looks at the center item and then at the clothespins. With one hand, the character slowly removes the first wooden clothespin, then the second, while supporting @image_4 with the other hand. The character watches the action naturally and plays the moment with believable attention. 4.8–5.6: holding @image_4 in one hand and both clothespins in the other, the character slightly lowers the head and bends the upper body, then passes naturally under the clothesline to the front side of it. After stepping through to the front side, the character stays close to the clothesline and still far from the camera, clearly tosses the clothespins sideways, and briefly follows them with the eyes, watching them fly away and land. 5.6–9.0: use this full middle section for a smooth, natural dressing action. The character slowly and clearly puts on @image_4 in the same calm rhythm as the rest of the clip. Let the body, hands, and garment movement read clearly: the character naturally inserts the arms, settles the garment on the shoulders and torso, and finishes wearing it in a clean, realistic way without rushing. The character continues softly humming or murmuring while dressing. 9.0–10.2: after the item is fully on, the character interacts with it naturally: brushing it off, smoothing it down, straightening it, settling the fit, and if appropriate slowly fastening or adjusting the closure. This beat should feel stylish, relaxed, and readable. 10.2–11.1: the character settles into a relaxed side or three-quarter pose, still naturally moving a little, with subtle life in the body. The character may gently sway, subtly groove, adjust the collar, hem, sleeve, pocket, strap, or front of the item. No direct eye contact. 11.1–12.0: the character gives a final playful acting beat, lightly grooves or dances in place, then turns and exits to the right with a smooth stylish motion, still softly humming or murmuring under the breath as they leave. Keep the environment alive briefly and leave @image_3 and @image_5 hanging on the clothesline. Camera: mostly static, stable wide full-body framing, camera positioned clearly farther away from the character and farther away from the clothesline. The character must remain visible almost in full height when standing in front of the clothesline. Keep a clear observational distance. No push-in, no zoom-in, no close framing, no forward camera move. Only minimal natural micro-movement is allowed. Performance: natural, cinematic, actor-like, emotionally played, subtly playful, and believable. The character must not rush. Every action has its own readable beat. The character reacts to the object and to the small events in the scene. The acting should feel lived-in and spontaneous, with subtle rhythm, realistic pauses, believable physical attention, and clear under-the-breath humming or melodic murmuring throughout the whole clip. Visual style: photorealistic cinematic fashion film, subtle 35mm grain, soft analog texture, natural contrast, premium editorial quality, realistic skin, realistic object physics, movie-like atmosphere. Audio: natural location sound only. No music, no soundtrack, no instrumental, no beat. Use realistic ambient sound and action sound appropriate to the environment, plus clearly noticeable soft under-the-breath humming, muttering, or melodic murmuring from the character from the beginning of the clip through the exit. Keep all sound subtle, realistic, and synchronized with visible actions. 4K, Ultra HD, rich details, sharp clarity, cinematic texture, natural colors, stable picture, realistic motion, stable identity, and consistent object continuity.

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Seedance 2
ПРОМПТ

@image_1 = environment reference. @image_2 = lead character identity reference. @image_3 = left hanging wearable item reference. @image_4 = center interactive wearable item reference. @image_5 = right hanging wearable item reference. Generate a 12-second vertical cinematic fashion film, 9:16. Use @image_1 for the environment, atmosphere, lighting, depth, and visual mood. Whatever the location is, always integrate one clearly visible clothesline horizontally across the scene in a believable way. Place exactly three wearable or style-related items on the clothesline: @image_3 on the left, @image_4 in the center, and @image_5 on the right. Each item is attached with exactly two visible wooden clothespins. Use @image_2 for the lead character identity only. Preserve the exact face, body proportions, hairstyle, accessories, glasses if present, tattoos if present, and overall identity throughout the entire clip. The character never looks directly into the camera. Preserve @image_3, @image_4, and @image_5 as recognizable wearable or style-related items with their reference design, color, silhouette, and material. @image_4 is always the main interactive item and always hangs in the center. The center item must always hang front-facing toward the camera, never with the back side facing camera. If @image_4 is a jacket, shirt, hoodie, coat, or another upper-body garment with an opening or closure, it must hang open, unfastened, and clearly spread in a readable front-facing way, even if the reference image shows it closed. The character later puts on @image_4 and, if appropriate, fastens or adjusts it naturally. The pacing is calm, readable, and unhurried. The character behaves like a real actor living in the scene, with subtle personality, gentle rhythm, believable pauses, natural body flow, and clear under-the-breath humming, muttering, or soft melodic mumbling from the very beginning of the clip through the end. 0.0–1.4: establish the scene in a stable wide full-body composition. Show the environment, the full clothesline, and all three items clearly. Natural ambient movement is present in the environment. 1.4–3.0: the character enters calmly from the side and approaches from behind the clothesline toward @image_4. The movement is relaxed, slightly rhythmic, and natural. The character is already softly and audibly humming or murmuring under the breath. No eye contact with camera. 3.0–4.8: the character clearly stops at the clothesline and takes a brief natural pause. The character looks at the center item and then at the clothespins. With one hand, the character slowly removes the first wooden clothespin, then the second, while supporting @image_4 with the other hand. The character watches the action naturally and plays the moment with believable attention. 4.8–5.6: holding @image_4 in one hand and both clothespins in the other, the character slightly lowers the head and bends the upper body, then passes naturally under the clothesline to the front side of it. After stepping through to the front side, the character stays close to the clothesline and still far from the camera, clearly tosses the clothespins sideways, and briefly follows them with the eyes, watching them fly away and land. 5.6–9.0: use this full middle section for a smooth, natural dressing action. The character slowly and clearly puts on @image_4 in the same calm rhythm as the rest of the clip. Let the body, hands, and garment movement read clearly: the character naturally inserts the arms, settles the garment on the shoulders and torso, and finishes wearing it in a clean, realistic way without rushing. The character continues softly humming or murmuring while dressing. 9.0–10.2: after the item is fully on, the character interacts with it naturally: brushing it off, smoothing it down, straightening it, settling the fit, and if appropriate slowly fastening or adjusting the closure. This beat should feel stylish, relaxed, and readable. 10.2–11.1: the character settles into a relaxed side or three-quarter pose, still naturally moving a little, with subtle life in the body. The character may gently sway, subtly groove, adjust the collar, hem, sleeve, pocket, strap, or front of the item. No direct eye contact. 11.1–12.0: the character gives a final playful acting beat, lightly grooves or dances in place, then turns and exits to the right with a smooth stylish motion, still softly humming or murmuring under the breath as they leave. Keep the environment alive briefly and leave @image_3 and @image_5 hanging on the clothesline. Camera: mostly static, stable wide full-body framing, camera positioned clearly farther away from the character and farther away from the clothesline. The character must remain visible almost in full height when standing in front of the clothesline. Keep a clear observational distance. No push-in, no zoom-in, no close framing, no forward camera move. Only minimal natural micro-movement is allowed. Performance: natural, cinematic, actor-like, emotionally played, subtly playful, and believable. The character must not rush. Every action has its own readable beat. The character reacts to the object and to the small events in the scene. The acting should feel lived-in and spontaneous, with subtle rhythm, realistic pauses, believable physical attention, and clear under-the-breath humming or melodic murmuring throughout the whole clip. Visual style: photorealistic cinematic fashion film, subtle 35mm grain, soft analog texture, natural contrast, premium editorial quality, realistic skin, realistic object physics, movie-like atmosphere. Audio: natural location sound only. No music, no soundtrack, no instrumental, no beat. Use realistic ambient sound and action sound appropriate to the environment, plus clearly noticeable soft under-the-breath humming, muttering, or melodic murmuring from the character from the beginning of the clip through the exit. Keep all sound subtle, realistic, and synchronized with visible actions. 4K, Ultra HD, rich details, sharp clarity, cinematic texture, natural colors, stable picture, realistic motion, stable identity, and consistent object continuity.

UNISET

ИСТОРИЯ