Задуть свечи

Видео-обложка

SCENE CONTEXT A woman opens her refrigerator on the morning of her birthday and finds a lit chocolate cake waiting inside. The camera lives inside the refrigerator, at the back, level with the cake, looking out through the door opening toward a bright kitchen. She is the only person in the film. ACTIVE REFERENCES @image1 — the woman, early thirties. 100% matches the reference: face shape, eyes, skin tone, age. Her hair is fully wrapped in a tall charcoal-grey cotton bath towel and her face carries no makeup, fresh from a shower. Her facial proportions hold steady as she leans toward the lens. LOCATION MAP Foreground, filling the lower forty percent of frame: a round chocolate cake on a dark serving tray, dark sponge sides, glossy chocolate glaze on top, fine crumbs and small honest imperfections. Two upright metallic-gold number candles stand on it, the numeral 3 on the left and the numeral 9 on the right, each with a single black wick, both already alight. Midground: a white plastic milk bottle with a red cap standing on the left of the shelf, full and heavy. Behind it, white refrigerator walls, a glass shelf, small plastic shelf supports, a dark shelf edge across the top of frame, light condensation. Beyond the door opening: a bright modern kitchen, white walls, large windows, daylight. FIRST FRAME / BLOCKING The refrigerator door is shut and the interior is nearly black. The two candle flames are the only light, sitting centre-low in frame. The cake stays centred in the foreground for the whole film; the woman appears beyond it, at frame centre, once the door opens. FORMAT MODE One continuous shot. The camera holds one fixed position for the full 12 seconds and does not cut. OPTICS Fixed rectilinear 63° field of view, held for the whole take. Focus opens on the candle wicks and glaze, travels gently to her face as she leans in, and returns to the wicks after she blows. The numerals stay readable through every focus change. CAMERA Locked at the back wall of the refrigerator at cake height, eye level with the flames, absolutely still. Wide tonal latitude with a gentle highlight rolloff, so the flames and the daylight beyond the door keep their shape and the white bottle keeps its detail. ACTION 0.0s to 1.0s — Darkness. Both flames burn steadily, each throwing small moving highlights across the chocolate glaze and the refrigerator wall. Softened gold wax gathers at each wick. The door seal releases at the end of the second. 1.0s to 2.0s — The door swings open toward the kitchen. A narrow blade of daylight arrives first, then the interior lamp comes on. The woman appears beyond the cake, looking past it into the refrigerator with ordinary morning concentration, still unaware of the candles. Both flames lean away from the moving air, then settle. 2.0s to 4.0s — She reaches her left hand in, passing behind the cake, closes her fingers around the middle of the milk bottle and lifts it with real weight. The milk shifts inside. Her right hand comes up to support it near the cap. Her eyes drop to the burning numerals and her movement slows. 4.0s to 6.0s — She holds the bottle against her torso and reads the number. Her eyebrows lift a little, her lips part, her shoulders go still. Her eyes travel from the 3 to the 9 and back. The reaction builds through small muscle movement and stays quiet. Confusion turns into recognition and one corner of her mouth lifts into a small private smile. 6.0s to 8.0s — She steps closer and bends gently at the waist, keeping the bottle low and clear of the flames. Her chest rises as she draws breath. She purses her lips and blows one controlled breath. Both flames bend hard away from her, deform, and go out within the same breath, the 3 first and the 9 a fraction later. 8.0s to 10.0s — Both wicks glow orange-red in the dark. Thin pale-grey smoke lifts from the two wicks, each thread taking its own shape and curling under the shelf. She closes her lips, watches the smoke rise, and her smile settles into quiet satisfaction. The embers begin to dull. 10.0s to 12.0s — She straightens and swings the door shut. Her body passes out of frame, the door crosses the opening and narrows the daylight to a strip, briefly backlighting the smoke, then meets the seal with weight. The interior returns to darkness. Two small orange embers hold for a moment and fade out. Hold black to the end. PERFORMANCE Understated throughout. She never speaks. Real blinking, small refocusing of the eyes, slight eyebrow movement, natural breathing, realistic lip and cheek work on the blow. Skin with visible pores, fine facial hair, uneven natural colour, living eyes with true catchlights, warm candlelight riding the lower half of her face. PHYSICS The cake and the bottle rest with weight on the shelf. The milk moves inside the bottle as she lifts it. Each flame carries a dark wick base, a small blue collar, a yellow-orange body and a soft translucent halo, and reacts to the door swing and to her breath. The flames go out through gradual deformation and the wicks keep glowing after. Smoke rises from the two wicks only, driven by residual heat, and disperses independently. Softened wax stays attached to the gold numerals and the digits keep their shape. The towel holds its thickness, folds and weight; the light-blue halter top keeps its soft matte fabric and stays securely wrapped. LIGHTING Three sources stay separated in colour for the whole film: candle flame at 1900K, refrigerator interior lamp at 6500K, kitchen daylight at 5600K. With the door shut, only the 1900K flames light the cake against deep natural shadow. With the door open, all three read at once — cool lamp on the white walls and bottle, daylight beyond the opening, warm flame on her chin and cheekbones. Exposure shifts naturally as the door opens and closes. WARDROBE Tall charcoal-grey cotton towel wrapped around her hair. Light-blue wrap halter top crossing over the chest and tying at the neck. The upper edge of light casual trousers is just visible. Identical from first frame to last. AUDIO Refrigerator compressor hum throughout. The seal releasing, the hinge, and the interior lamp click at 1.0s. Plastic bottle movement, shelf contact and liquid shifting from 2.0s. Quiet breathing and faint flame crackle from 4.0s. One clear blowing breath at 7.0s with rapid flame flutter and two soft extinguishing sounds. Door movement and the rubber seal compressing at 11.0s. Muffled hum in the dark to the end. Diegetic sound only. STYLE Photoreal live-action, vertical format, natural skin tones, fine grain, soft natural contrast, the look of a real phone video taken inside a refrigerator. OUTPUT SETTINGS 9:16 vertical. 12 seconds. Real time throughout, one continuous take. POSITIVE LOCKS Her face resolves to @image1 in every frame, including the closest lean. The camera stays inside the refrigerator for all 12 seconds, in one locked position. The cake holds the foreground centre for the whole film. The gold numerals read as 3 on the left and 9 on the right from first frame to last. Both candles stay alight from 0.0s until she blows at 7.0s. Smoke appears only after the flames are out, and only from the two wicks. The milk bottle stays in her hands from 3.0s onward. The door closes only after both flames are out. Her hands stay anatomically clean, two hands, five fingers each. Every object rests with weight on a surface. Highlights roll off gently and hold their shape. The gold numerals 3 and 9 are the only lettering anywhere in frame. The film ends in refrigerator darkness.

Задуть свечи

Задуть свечи

Seedance 2.5
ПРОМПТ

SCENE CONTEXT A woman opens her refrigerator on the morning of her birthday and finds a lit chocolate cake waiting inside. The camera lives inside the refrigerator, at the back, level with the cake, looking out through the door opening toward a bright kitchen. She is the only person in the film. ACTIVE REFERENCES @image1 — the woman, early thirties. 100% matches the reference: face shape, eyes, skin tone, age. Her hair is fully wrapped in a tall charcoal-grey cotton bath towel and her face carries no makeup, fresh from a shower. Her facial proportions hold steady as she leans toward the lens. LOCATION MAP Foreground, filling the lower forty percent of frame: a round chocolate cake on a dark serving tray, dark sponge sides, glossy chocolate glaze on top, fine crumbs and small honest imperfections. Two upright metallic-gold number candles stand on it, the numeral 3 on the left and the numeral 9 on the right, each with a single black wick, both already alight. Midground: a white plastic milk bottle with a red cap standing on the left of the shelf, full and heavy. Behind it, white refrigerator walls, a glass shelf, small plastic shelf supports, a dark shelf edge across the top of frame, light condensation. Beyond the door opening: a bright modern kitchen, white walls, large windows, daylight. FIRST FRAME / BLOCKING The refrigerator door is shut and the interior is nearly black. The two candle flames are the only light, sitting centre-low in frame. The cake stays centred in the foreground for the whole film; the woman appears beyond it, at frame centre, once the door opens. FORMAT MODE One continuous shot. The camera holds one fixed position for the full 12 seconds and does not cut. OPTICS Fixed rectilinear 63° field of view, held for the whole take. Focus opens on the candle wicks and glaze, travels gently to her face as she leans in, and returns to the wicks after she blows. The numerals stay readable through every focus change. CAMERA Locked at the back wall of the refrigerator at cake height, eye level with the flames, absolutely still. Wide tonal latitude with a gentle highlight rolloff, so the flames and the daylight beyond the door keep their shape and the white bottle keeps its detail. ACTION 0.0s to 1.0s — Darkness. Both flames burn steadily, each throwing small moving highlights across the chocolate glaze and the refrigerator wall. Softened gold wax gathers at each wick. The door seal releases at the end of the second. 1.0s to 2.0s — The door swings open toward the kitchen. A narrow blade of daylight arrives first, then the interior lamp comes on. The woman appears beyond the cake, looking past it into the refrigerator with ordinary morning concentration, still unaware of the candles. Both flames lean away from the moving air, then settle. 2.0s to 4.0s — She reaches her left hand in, passing behind the cake, closes her fingers around the middle of the milk bottle and lifts it with real weight. The milk shifts inside. Her right hand comes up to support it near the cap. Her eyes drop to the burning numerals and her movement slows. 4.0s to 6.0s — She holds the bottle against her torso and reads the number. Her eyebrows lift a little, her lips part, her shoulders go still. Her eyes travel from the 3 to the 9 and back. The reaction builds through small muscle movement and stays quiet. Confusion turns into recognition and one corner of her mouth lifts into a small private smile. 6.0s to 8.0s — She steps closer and bends gently at the waist, keeping the bottle low and clear of the flames. Her chest rises as she draws breath. She purses her lips and blows one controlled breath. Both flames bend hard away from her, deform, and go out within the same breath, the 3 first and the 9 a fraction later. 8.0s to 10.0s — Both wicks glow orange-red in the dark. Thin pale-grey smoke lifts from the two wicks, each thread taking its own shape and curling under the shelf. She closes her lips, watches the smoke rise, and her smile settles into quiet satisfaction. The embers begin to dull. 10.0s to 12.0s — She straightens and swings the door shut. Her body passes out of frame, the door crosses the opening and narrows the daylight to a strip, briefly backlighting the smoke, then meets the seal with weight. The interior returns to darkness. Two small orange embers hold for a moment and fade out. Hold black to the end. PERFORMANCE Understated throughout. She never speaks. Real blinking, small refocusing of the eyes, slight eyebrow movement, natural breathing, realistic lip and cheek work on the blow. Skin with visible pores, fine facial hair, uneven natural colour, living eyes with true catchlights, warm candlelight riding the lower half of her face. PHYSICS The cake and the bottle rest with weight on the shelf. The milk moves inside the bottle as she lifts it. Each flame carries a dark wick base, a small blue collar, a yellow-orange body and a soft translucent halo, and reacts to the door swing and to her breath. The flames go out through gradual deformation and the wicks keep glowing after. Smoke rises from the two wicks only, driven by residual heat, and disperses independently. Softened wax stays attached to the gold numerals and the digits keep their shape. The towel holds its thickness, folds and weight; the light-blue halter top keeps its soft matte fabric and stays securely wrapped. LIGHTING Three sources stay separated in colour for the whole film: candle flame at 1900K, refrigerator interior lamp at 6500K, kitchen daylight at 5600K. With the door shut, only the 1900K flames light the cake against deep natural shadow. With the door open, all three read at once — cool lamp on the white walls and bottle, daylight beyond the opening, warm flame on her chin and cheekbones. Exposure shifts naturally as the door opens and closes. WARDROBE Tall charcoal-grey cotton towel wrapped around her hair. Light-blue wrap halter top crossing over the chest and tying at the neck. The upper edge of light casual trousers is just visible. Identical from first frame to last. AUDIO Refrigerator compressor hum throughout. The seal releasing, the hinge, and the interior lamp click at 1.0s. Plastic bottle movement, shelf contact and liquid shifting from 2.0s. Quiet breathing and faint flame crackle from 4.0s. One clear blowing breath at 7.0s with rapid flame flutter and two soft extinguishing sounds. Door movement and the rubber seal compressing at 11.0s. Muffled hum in the dark to the end. Diegetic sound only. STYLE Photoreal live-action, vertical format, natural skin tones, fine grain, soft natural contrast, the look of a real phone video taken inside a refrigerator. OUTPUT SETTINGS 9:16 vertical. 12 seconds. Real time throughout, one continuous take. POSITIVE LOCKS Her face resolves to @image1 in every frame, including the closest lean. The camera stays inside the refrigerator for all 12 seconds, in one locked position. The cake holds the foreground centre for the whole film. The gold numerals read as 3 on the left and 9 on the right from first frame to last. Both candles stay alight from 0.0s until she blows at 7.0s. Smoke appears only after the flames are out, and only from the two wicks. The milk bottle stays in her hands from 3.0s onward. The door closes only after both flames are out. Her hands stay anatomically clean, two hands, five fingers each. Every object rests with weight on a surface. Highlights roll off gently and hold their shape. The gold numerals 3 and 9 are the only lettering anywhere in frame. The film ends in refrigerator darkness.

UNISET

ИСТОРИЯ